FROM THE BLOG — SHAKESPEARE UNRAVELED
To commemorate the 400th anniversary of the publication of Shakespeare’s First Folio, Oxford professor and scholar Emma Smith has revised and re-issued her 2016 study published by Oxford University Press, Shakespeare’s First Folio: Four Centuries of an Iconic Book. Unlike historians who have examined how Hemings and Condell (two of Shakespeare’s fellow King’s Men actors) came to produce a collection of Shakespeare’s plays alongside publishers Isaac Jaggard and Edward Blount, Smith delves into the reading and collecting habits of those who have bought and sold the First Folio since it debuted in 1623. Smith’s study “begins in the retail bookshop” where early buyers such as Edward Dering may have acquired his first copy. She exhaustively explores how the First Folio… Read More…
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DECIPHERING SHAKESPEARE’S PLAYS
Understanding Shakespeare’s plays is within everyone’s grasp. In DECIPHERING SHAKESPEARE'S PLAYS, author Cynthia Greenwood goes "behind the curtain" to help anyone make sense of Shakespeare on the stage and on the page. This practical guide – nominated for PlayShakespeare’s 2008 Falstaff Award for Best Book– looks at Shakespearean drama as a highly social art form. The book takes a refreshing look at the essence of the Shakespearean spoken word by drawing on the expert perspectives of directors and actors. Read more...
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“Greenwood’s informative and eminently readable guide to Shakespeare’s greatest plays [is] a wonderful new resource for Shakespeare beginners, actors, and those who already consider themselves well-schooled in the Bard. . . the book begins with several fascinating and well-researched chapters about Shakespeare’s life and the political and social world in which he and his theatergoers inhabited. …. Greenwood manages to convey the critical information needed to [for the reader to] get an understanding of this material in an easily readable and interesting way. . . What is most remarkable about Deciphering Shakespeare’s Plays is the way in which the author manages to provide a thoughtful, well-researched, and readable analysis of each of these twenty works in a relatively short chapter. [Overall] Deciphering Shakespeare’s Plays is a phenomenal resource for anyone who has an interest in Shakespeare.”
Ben Alper, Reviewer at PlayShakespeare.com
“Greenwood’s goal is to make Shakespeare’s plays accessible to general readers and playgoers, and her aim comes through in every chapter of her introductory guide.”
Ron Severdia
Publisher and editor of PlayShakespeare.com
“Greenwood’s guide will come through with a helping hand, making sense of the language and the motivations of Shakespeare's enduring characters.”
Diana Howie
Playwright and author of Susanna & Will and Susanna of Stratford
“In her new book, Greenwood gives students and playgoers the chance to inhabit Shakespeare's plays as actors and directors do.”
Raymond Caldwell
Founder and artistic director of the Texas Shakespeare Festival
“If you think Shakespeare is stuffy and impenetrable, then allow Cynthia Greenwood's new guide to take you through his greatest plays and unlock all the marvels.”
Jeffrey Bean
Veteran member of the Alley Theatre resident company and Broadway actor
Reflections on Medieval and Renaissance Thought
The collection of articles gathered in this volume grew naturally and spontaneously out of the Second International Conference on Medieval and Renaissance Thought hosted by Sam Houston State University in April 2016. This anthology reflects the diverse fields of study represented at the conference. The purpose of the conference, and consequently of this book of essays, is partially to establish a place for medieval and renaissance scholarship to thrive in our current intellectual landscape. This volume is not designed solely for scholars, but also for generalists who wish to augment their knowledge and appreciation of an array of disciplines; it is an intellectual smorgasbord of philosophy, poetry, drama, popular culture, linguistics, art, religion, and history. Read more...
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ABOUT CYNTHIA GREENWOOD
Does the antiquated English of Romeo and Juliet make your eyes glaze over? After teaching Shakespeare in my English literature courses for ten years, I discovered that the supervised reading of plays like Julius Caesar and Hamlet is inadequate, even for serious book lovers! So I created a guide for students, readers, and playgoers that focuses on experiencing Shakespeare’s scripts through live performances or on film.
As a performing arts journalist and critic, I have filed arts reports, literary features, and reviews for The New York Times, Playbill, Houston Chronicle, Seattle Post-Intelligencer, Dallas Morning News, San Francisco Chronicle, San Antonio Express-News, Fort Worth Star Telegram, Houston Press, PlayShakespeare.com, and many others. Learn more...